Showing posts with label Berlin. Show all posts
Showing posts with label Berlin. Show all posts

Wednesday, 10 November 2021

Book Launch | "In Audre's Footsteps"

You are invited!!

Come through! We are gathering on Wednesday, November 17th at 6pm at the Each One, Teach One library (EOTO e.V.) for the launch of the next book in the Witnessed Series - the beautiful anthology" In Audre's Footsteps" by Heidi R. Lewis and Dana Maria Asbury with Jazlyn Andrews.

***This is a 2G event***
Please bring proof of vaccination or proof of recovery.
To register, please send an email to: witnessed [@] sharonotoo.com including your name, address and telephone number.





Image description:

Publicity for launch of "In Audre's Footsteps". The flyer has a black background and is split in two halves, as if torn. Between the two halves is a white strip. On the left is the book cover and four profile pictures of the editors (top to bottom: Heidi R. Lewis, Dana Maria Asbury, Jazlyn Andews and the editor of the Witnessed Series, Sharon Dodua Otoo) On the right is the invitation text: Join us for the official launch of "In Audre's Footsteps. Transnational Kitchen Table Talk" The 7th edition of Sharon Dodua Otoo's Witnessed Series. Wednesday, 17 November at 6pm. Each One Teach One e.V. Togostr. 76, Berlin 13351. Doors open at 5.45pm. 2G Event (Vaccination or Recovery Proof Required). Join co-editors Dr. Heidi R. lewis and Jazlyn Andrews and contributors for refreshments and a celebration of Black, lesbian, mother, warrior, poet Audre Lorde and this unique manifestation of her incredible legacy!

Wednesday, 16 June 2021

"Soon, The Future of Memory" is here!

This stunning debut collection of poetry by Anja Saleh can be ordered now via the website of edition assemblage, in all local bookstores in Germany and via other international websites. Be sure to get your copy!

 

A yellow book cover with thick wavy lines weaving across it, mostly black lines but also three white ones. The title "Soon, The Future of Memory" is in black capitals. The author's name, Anja Saleh, is in lower case, also written in black..

Soon, The Future of Memory is a poetry collection which explores the contradictions and complexities of belonging, of “home” and of self from the perspective of a German of African descent.



i once heard that in poetry
we find answers
but i came to ask questions
      like why?
      or rather who?
decided for poets to answer
others' questions
while they have a mind full of their own?
      or maybe
poetry is the answer to
are we alone?
and it always answers no.

 

 

Praise for Soon, The Future of Memory:

 

A stunning read - searing, searching, healing all at once. Anja Saleh has crafted an exceptional piece of work.

Musa Okwonga, author of In The End It Was All About Love


As if responding to the question how long is now? famously written on berlin walls, Anja Saleh's Soon, The Future Of Memory asks poeticizing questions, in order to reach beyond the hyphens, the silences and the gaps of our memories; voicing hidden stories which are already there. present. intermingling. connected. a must read for those seeking answers.

Dr. Aischa Ahmed, author of: Arabische Präsenzen in Deutschland um 1900. Biografische Interventionen in die deutsche Geschichte


In these poems, Anja sits so effortlessly yet uncompromisingly in her power and courage and convitions. This is a collection that doesn't give up all the answers, but leaves a trail of necessary questions in its wake.

sara m saleh, Award-winning Arab-Australian* poet and writer



Sunday, 9 May 2021

Book Launch: Soon, The Future of Memory

 

 The sixth edition of the Witnessed Series will be with us... soon!


With apologies for the delay, we are delighted to announce that "Soon, The Future of Memory" will now be published in June 2021.

EDIT: The Instagram Live conversation that was planned for Wednesday, June 16th has unfortunately been cancelled.


www.instagram.com/witnessed.series/

 

 
Anja Saleh
Photo credit: www.anjasaleh.com
 

 

 


 

Saturday, 12 December 2020

Witnessed is back!

The Witnessed Series is being resumed!

Following a four-year break, the Witnessed Series will continue with two publications in 2021. The sixth edition of the English-language book series is a collection of beautiful poetry by Anja Saleh called "Soon, The Future of Memory"



The book will be on sale from April 2021 and is already available for pre-order!

Edit: Unfortunately, the publication has been delayed. The book will now be available from June 2021.





Wednesday, 8 March 2017

Amy Evans' "The Most Unsatisfied Town" - Premiere Thursday March 9th

Last year the world premiere of Amy Evan's fantastic play, "The Most Unsatisfied Town" was shown in Berlin. The production and ancillary events were supported by the Initiative in Remembrance of Oury Jalloh. With more than 1,200 audience members over 12 performances, the performances also broke all of the attendance records at English Theatre Berlin | International Performing Arts Center.

Producing Artistic Director Daniel Brunet has been successful in securing sufficient funding to be able to offer six more performances, this time with German surtitles. Specially the dates of the performances - always at 8pm - are:
  • Thursday, March 9
  • Friday, March 10
  • Saturday, March 11 
  • Wednesday, March 15
  • Thursday, March 16 
  • Saturday, March 18


Tickets are 15 EUR (9 EUR Students). To reserve tickets in advance (very much advised!), please send an email to: tickets@etberlin.de or click here to go directly to the online ticketing system.



Attention all teachers:

If you wish to study the play with your class please note: 




"The Most Unsatisfied Town"
written by Amy Evans - directed by Daniel Brunet
Venue: English Theatre Berlin | International Performing Arts Center, Fidicinstr. 40, 10965 Berlin-Kreuzberg


With Maya Alban-Zapata (Eva), Kenneth Philip George (Laurence), Aloysius
Itoka (Yusef), Dorothee Krüger (Manuela), Tibor Locher (Brunmeier), Asad Schwarz-Msesilamba (Julius), Quatis Tarkington (Rahim) and Tyrell Teschner (Ronny)


Foyer Exhibition and Production Dramaturgy by Michael Ojake and Naomi Boyce | Set and Costume Design by Tamar Ginati | Lighting Design by Christian Maith | Sound Design by Lenard Gimpel | Props Design and Assistant Costume Design by Matthew Peach | Assistant Direction by Ellen Gallagher | Assistant Set Design by Ken Chinea | Ancillary Program Coordination by Sharon Dodua Otoo | Theater Education Program by Sebastian Fleary | Regiehospitantin: Simona Klaniute | Translation: Ekpenyong Ani



Sunday, 4 December 2016

Back on stage in Berlin! "The Most Unsatisfied Town" - March 2017

Good news! "The Most Unsatisfied Town" by Amy Evans (Witnessed Edition 4) will be back on stage in March 2017.

Image © 2016 ETB | IPAC



Directed by Daniel Brunet of the English Theatre Berlin | International Performing Arts Center, the play based on the true story of Oury Jalloh, a man who was burnt to death in a Dessau police cell in 2005 premiered in April 2016. In March 2017, The Most Unsatisfied Town returns to the stage and these performances will also have German surtitles. The production and accompanying programme of events is supported by The Initiative in Remembrance of Oury Jalloh and RAA Berlin.


Attention all teachers:

If you wish to study the play with your class please note: 





Coming soon - a reading of "Whtnacig Pnait (Watching Paint)" by Sharon Dodua Otoo


As part of the 3rd Berlin Art Film Festival, Sharon Dodua Otoo (Series Editor, Witnessed) has been invited to present her short story "Whtnacig Pnait (Watching Paint)" from the collection "Winter Shorts" (Witnessed Edition 5)

Image © 2016 Tyrell Teschner

"Whtnacig Pnait (Watching Paint) "will be performed by Yosime Flood (reading) Lewis Teschner (visuals), Tyrell Teschner (music). Following this there will be a moderated discussion with Sharon Dodua Otoo.

Sunday, December 11th 2016, 19:00
Moviemento, Kottbusser Damm 22 (near U7/U8 Hermannplatz)

Monday, 11 July 2016

Berlin | Reading of Amy Evans' "The Most Unsatisfied Town" on Friday, July 15th

"The Most Unsatisfied Town", a theatre play written by Amy Evans and based on the true story of Oury Jalloh as well as the Initiative founded in his remembrance, will be read on Friday, July 15th as part of the inaugural Carnival of Literatures taking place in Werkstatt der Kulturen, Berlin. The reading is being directed by Daniel Brunet of English Theatre Berlin.


Carnival of Literatures 2016
Reading of Amy Evans "The Most Unsatisfied Town"
Friday, July 15th 2016 at 19:30
Werkstatt der Kulturen
Wissmanstr. 32, 12049 Berlin-Neukölln
(U7 / U8 Herrmannplatz)

"The Most Unsatisfied Town" is the fourth publication in the Witnessed Series.

For further information about the reading please click here.


Friday, 8 April 2016

Successful premiere of "The Most Unsatisfied Town"!

Image © 2016 Roman Hagenbrock


The Most Unsatisfied Town by Amy Evans (Witnessed Edition 4) opened yesterday at the English Theatre Berlin | International Performing Arts Center - and it was a resounding success.

Click here to read a great review published on The Culture Trip.



Tuesday, 22 March 2016

Berlin | World Premiere of "The Most Unsatisfied Town" by Amy Evans

Image © 2016 English Theatre Berlin | International Performing Arts Centre

The world premiere of "The Most Unsatisfied Town" on Thursday, April 7th has already sold out!

Written by Witnessed author, Amy Evans, and directed by Daniel Brunet of English Theatre Berlin | International Performing Arts Centre, this play will run for a total of 14 performances throughout April 2016, including one school matinee performance on Wednesday, April 13th.This brilliant and important play is based on the true story of Oury Jalloh, who was killed in Dessau police custody on January 7, 2005, and the activists of the Initiative in Remembrance of Oury Jalloh, who spurred an international movement to bring his killers to justice. 


Image © 2005 Initiative in Gedenken an Oury Jalloh


Accompanying the performances of "The Most Unsatisfied Town" will be a lobby exhibition exploring Oury Jalloh, other deaths in police custody throughout Europe and related topics. The production also features a comprehensive schedule of post-performance discussions (April 8th, 14th & 21st) and a pre-performance panel discussion (April 10th):

Friday, April 8th | Post-Performance Discussion (in conjunction with Theater Scoutings Berlin)
• Mouctar Bah, Initiative in Remembrance of Oury Jalloh
• Moderation by Amy Evans, Playwright
• Simultaneous Interpretation (German-English) by Catherine Johnson

Sunday, April 10th | Pre-Performance Panel Discussion (4pm)
• Mai Shutta, Oranienplatz Activist
• Elizabeth Ngari, Women in Exile
• Dr. Sunny Omwenyeke, The Voice Refugee Forum Bremen / The Caravan
• Bino Byansi Byakuleka, Oranienplatz Activist and African Refugees Union
• Moderation by Sharon Dodua Otoo, RAA Berlin

Thursday, April 14th | Post-Performance Discussion
• Dr. Andrés Nader, Executive Director, RAA Berlin
• Moderation by Josephine Apraku, Institut für diskriminierungsfreie Bildung

Thursday, April 21st | Post-Performance Discussion
• Thomas Ndindah, Initiative in Remembrance of Oury Jalloh
• Moderation by Dr. Noa Ha, Migrationsrat Berlin-Brandenburg e.V.




"Since he arrived in Germany, Laurence has tried to do everything by the rules. He applied for asylum, waited patiently for his papers and found the kind of job no national would ever care to do. He is friendly to his neighbors, even the ones who tease his children in school, and cooperates with the police when they ask for his help. 
He's found the formula for survival, or so he things, until one day his friend Rahim mysteriously disappears. When the body turns up charred beyond recognition, Laurence is thrust to the fore of a civil rights movement and is forced to take a closer look at the town he was so ready to call home."

The Most Unsatisfied Town (Witnessed Edition 4)
Münster: edition assemblage
Amy Evans (2015)
Click here to order 


Sunday, 21 February 2016

The Most Unsatisfied Town - premiere on April 7th in Berlin

The Most Unsatisfied Town
by Amy Evans
Directed by Daniel Brunet



Since he arrived in Germany, Laurence has tried to do everything by the rules. He applied for asylum, waited patiently for his papers and found the kind of job no national would ever care to do. He is friendly to his neighbors, even the ones who tease his children in school, and cooperates with the police when they ask for his help. He’s found the formula for survival, or so he thinks, until one day his friend Rahim mysteriously disappears. When the body turns up charred beyond recognition, Laurence is thrust to the fore of a civil rights movement and is forced to take a closer look at the town he was so ready to call home. 

The Most Unsatisfied Town is based on the true story of Oury Jalloh, who was killed in Dessau police custody on January 7, 2005, and the activists who spurred an international movement to bring his killers to justice.


The Most Unsatisfied Town will begin on Thursday, April 7th 2016 in Berlin.
This is the world premiere of the play which was first published in the Witnessed Series.






Amy Evans (2015)
Münster: edition assemblage

Click here to order.

Monday, 21 December 2015

CASTING - Uraufführung von THE MOST UNSATISIFIED TOWN am English Theatre Berlin | International Performing Arts Center

via Daniel Brunet, English Theatre Berlin | International Performing Arts Center


Dear friends,

I’ll be holding auditions in mid-January for the world premiere of Amy Evans' play THE MOST UNSATSIFIED TOWN, a piece that examines the death in custody of Oury Jalloh in Dessau in 2005 and everything that happened after.



Here a few words from Sharon Otoo about the play:

“We are introduced to Laurence, a former refugee from Guinea now married with children and running his own business. In a small number of scenes, most of which take place in his internet shop, we meet Laurence’s white German wife Manuela, his non-citizen friends Julius, Yusef and Rahim, the white German police officer Brunmeier, the widow Eva and her Afro-German son, Ronny. Throughout their interactions, we learn of life in a former East German city from a myriad of perspectives – stories of privilege and marginalisation are made tangible. The tensions simmering below the surface are brought to the fore by the sudden, violent death of Rahim while in police custody. This incident catapults Laurence out of his “optimistic” view of his new home town and forces him unwittingly to the front of a civil rights movement – he did not want to be a hero. He just wanted to know what happened to “our brother”. If only this were a work of fiction. The real life Rahim – Oury Jalloh – died in mysterious circumstances on January 7th, 2005. Almost ten years later, we still do not know exactly how he died or who was responsible for his death. The community continues to fight for justice to be served – resistance comes in many forms.”

The play will be performed in English.

We are looking for actors for all eight roles except for Ronny.



Here’s the basic information:

Rehearsal schedule: Monday to Friday, 12pm – 6pm (not all actors will be required at all rehearsals)
Start of rehearsals: Beginning of February
Premiere: April 7, 2016
12 performances through April 23, 2016
Fee: 2,000 EUR (flat fee, includes all taxes)

Please forward this mail to anyone you think may be interested in auditioning. Simply email me for an audition appointment. I can also provide a copy of the full text of the play.

Thanks so much,
Daniel Brunet





Amy Evans (2015)
The Most Unsatisfied Town (Witnessed Edition 4)
Münster: edition assemblage

Click here to order.

Wednesday, 18 November 2015

"I am - ich bin - me ne" & "Winter Shorts"

Illustrator Sita Ngoumou will be presenting her exhibition "I am - ich bin - me ne" this Friday (20th November) in SUSI Interkulturelles Frauenzentrum.



As part of the programme to mark the opening of the exhibition, WoMANtìs RANDom and Sharon Dodua Otoo will present the book "Winter Shorts" the latest edition of the Witnessed Series edited by Clementine Burnley and Sharon Dodua Otoo. Sita Ngoumou also designed the beautiful cover for the collection of short stories.

Come and join us!


"I am - ich bin - me ne" & "Winter Shorts"
Friday, 20th November from 19:00
SUSI Interkulturelles Frauenzentrum
Innsbrucker Str. 58 (= Bayerischer Platz 9), Berlin-Schöneberg
U4 & U7 Bayerischer Platz

Thursday, 18 December 2014

Coming soon! Witnessed Edition 4

The fourth* edition of the Witnessed Series, "The Most Unsatisfied Town" by Amy Evans, will appear in January 2015.

The play is based on the true story of Oury Jalloh, a man seeking asylum from Sierra Leone, who died in mysterious circumstances in police custory on January 7th 2005.




He wasn’t the kind of person to lead a movement – until he had to be.

Since claiming asylum in Germany, Laurence has had to start his life over again. He’s found the formula for survival, or so he thinks, until one day his closest friend mysteriously disappears. When the body turns up charred beyond recognition, a search for those responsible begins, forcing Laurence to take a closer look at the town he was so ready to call home...


The publication will be launched at an event to commemorate the 10th anniversary of Oury Jalloh's murder taking place on Saturday, January 17th in English Theatre Berlin.

And here is a link to the Facebook invitation.







Thursday, 26 June 2014

Protest in the School - Statement from the refugee activists

We say it clear:  We don’t leave the building until we obtain papers for everyone in the building.
As soon as we get our right to stay, we are ready to leave the school peacefully.

We don’t want too much talk, we want clear results and garantues:
This is the cost of bad experiences with the negotiations with the Senat and the Bezirk.
Senator Kolat has promised a transfer of the asylum cases to Berlin
A six month Duldung, access to the job market, to education and German lessons.
Currently, none of these five points have been reached and ten people who are on the list of the Oranienplatz agreement are facing deportation. Two month after, no one got the transfer and the Duldung is ignored by the Ausländerbehörde. This is why we don’t accept no negotiations anymore and put the German and Berlin authorities in front of their responsibilities.
The Senat has lied the District is lying:
People who were registering on Tuesday have been refused a place in the new Lagers!
Cleary, they free themselves from any responsibilities in case something happens. But they are all responsible now: Henkel, Herrmann, Kolat, Panhoff.
So the district should respect the people struggling inside the school and let them exercise their basic political rights (freedom of speech) and let the press come in until Henkel and de Mazière give us the documents:
Both are able to give us a residence commit §23 Aufenthaltsgesetz

We are everywhere! Support and solidarity come from all around the world. Demonstrations have been made in 6 German cities and in Istanbul. For solidarity banners has been hanged up on the surrounding buildings and even one in New York. All the streets around the school have been blocked by the supporters to hold the police cars back. We are kept isolated no press, no internet, just enough food for one day and no medicines go through the police check point. They block anybody entering with internet stick. Their intension is to criminalize us and to show the public only their own perspective. This is why they prevent us from talking to the press. They need to make us look like terrorists. Some inhabitants of the school who want to access the entrance are also still blocked at the gate.

SAY IT LOUD SAY IT CLEAR HENKEL BRINGS US PAPERS HERE!

Freedom of media is not respected though it is the most basic form of democratic society!
The journalists has been refused at the negotiations between the Senat and the Bezirk. Is this the German democracy? We say it clear to Henkel! We will take untill tomorrow 3pm to discuss and analyze his offers with our lawyers and our answer to it will not be given without press.

Thursday, 26th June - 21:45

The Refugee Protest in Germany - A Silence of International Proportions

Dear editors and journalists of the so-called quality press:

I see what you are doing.

Within the last 48 hours, the recent wave of refugee protests in Germany has escalated. As I write over 900 police officers, some in full riot gear, are standing outside the occupied school in the Kreuzberg district of Berlin. Inside the school between 40-80 refugees and fellow-activists have refused to leave until their demands are met. Some have climbed onto the roof of the school and are threatening to jump if the police should try to forcibly evict them. Eye-witnesses say the building smells heavily of petrol. The politicians responsible for this situation are taking big risks on the backs of people who quite literally have nothing to lose. This is a scandal and deserves to have international attention.

The eyes of the world should be on us here in Berlin. And yet there is a massive silence, which you are part of. I am calling you out on it.

Image © 2014 Anneke Gerloff


Among the most powerless, disenfranchised, stigmatised and criminalised groups of people in Europe are refugees. They are confronted with structural and institutional discrimination and have very little access to legal recourse in the frequent eventuality that they become victim of direct discrimination, criminal acts and violent attacks. Even access to basic health and social care is severely restricted. From the way most refugees in Europe are treated you might get the impression that they themselves are guilty of some heinious crime. General public opinion suggests they deserve everything they get (or if not, "we" are too generous to "them"). The press has a major responsibility in the public image of refugees. For the most part, I observe that the press has failed them miserably to provide impartial information .

Specifically in the German context, the recent history of the self-organisation of refugees can be traced back to the foundation of groups like THE VOICE Refugee Forum, Karawane für die Rechte von Flüchtlingen und MigrantInnen in Deutschland, Refugees Emancipation and Women in Exile (to name just a few). In 2000, the very first International Refugee Congress took place in Jena. For some individuals, merely attending the congress was a criminal act: according to the German "Residenzpflicht" (residence requirement), those seeking asylum are not allowed to leave their local area without special written permission. Human rights activist and refugee Sunny Omwenyeke (who was a key organiser of the congress but had not received permission to travel to Jena) decided to launch a legal campaign against the "Residenzpflicht" and appealed his verdict all the way to the European Court of Human Rights. He based his argument on Protocoll 4, Article 2 of the Convention for the Protection of Human Rights:
Everyone lawfully within the territory of a State shall, within that territory, have the right to liberty of movement and freedom to choose his residence.
The campaign was unsuccessful. In November 2007 it was ruled that Omwenyeke had not been lawfully in the territory of the State because he was breaking the residency requirement. Further: the right to liberty of movement within a State is only granted to those who are lawfully within the State. In the other words: the right to freedom of movement for refugees in Germany is limited to the areas where the German state says they are legally allowed to move around in. A tautological masterpiece of legal ruling.

The Refugee Protest March from Würzburg (south Germany) to Berlin in 2012 marked the beginning of the recent wave of high profile refugee protests in Germany. Among the demands: the abolition of the residency requirement, an end to restrictions for access to the labour market and education, the end to refugee encampments (often poor quality and remotely located) and no more deportations. The camp at Oranienplatz became the symbolic centre, welcomed by supporters and tolerated by the local government. Some of the non-citizens (including women and children) moved into an unused school building in Ohlauer Strasse at the end of 2012. But in November 2013, the situation in the school was still catastrophic and not fit for human inhabitation. During an argument over the one shower on the premises (supposed to meet the needs of 200 people) one man was fatally stabbed. In April 2014 (due in no small part to the political manipulation of the divisions within the refugee movement) the camp at Oranienplatz was violently destroyed. It was billed in the local press as a successful end to the protest - too bad therefore, that the protest actually continued.  One Sudanese refugee-activist, Napuli Paul Langa, climbed up a tree and remained there for five days in order to ensure that at least an information point and tent would remain on Oranienplatz. For close to two weeks a group of men on the other side of the road, including Patras Bwansi of Uganda and Turgay Ulu from Turkey, set up a 24 hour picket and went on hunger strike. Apart from the very heavy police presence at Oranienplatz, very few German citizens who are not direct supporters have interacted with the refugees there. All the more shocking to find out that the one chance for international attention to be brought to the place was wasted on a feature on fashion by the NY Times  broadcast/published in May 2014. I am assuming it was shot well before the refugee protest march to Berlin, as the area is prominently shown and the refugees and their protest camp are conspicuously absent. Otherwise it would have required extremely careful filming and editing (if not deliberately moving of the protest so as not to ruin the film. I think no one could be that cynical).

This month another Freedom March of refugees and supporters arrived in Brussels. The protesters (many from Oranienplatz or residents of the school) were violently evicted from the German embassy on June 20th - World Refugee Day -  and 20 people were arrested (7 of these will most likely be deported). Solidarity statements and protests have been held in Hamburg, Magdeburg and Istanbul.

Where are your articles?

None of what I have written above, it seems, has registered with the so-called quality press internationally. While it would be hard to believe that none of you knew and I would not like to believe that none of you cared it is difficult not to come to the conclusion that this is a deliberate act of omission on your part - I can only speculate about the reasons. Whatever has led to this silence: I am disgusted.

As I write, the situation at the school has escalated to such an extent that several refugees have threatened to jump off the roof if the police try to force them to leave. I don't want to imagine what could happen next. Journalists based in Berlin have also been refused access to the school, to the refugees or to their supporters, therefore this is also a freedom of press issue. Whatever your stance is on the position of refugees, I believe you have an obligation to provide information to your readers and viewers. Act professionally, act politically and act morally.

This is not the time to be quiet.

Yours Sincerely,
Sharon Dodua Otoo




Monday, 9 June 2014

Lecture in "Frauenkreise": Black in Germany


As part of the lecture series: "Queer Feminist Perspectives in Germany" with Dr. Heidi R. Lewis from Colorado College, USA Sharon Dodua Otoo (Series editor) will be presenting the Witnessed Series.

When? Tuesday, 10th June, 9am
Where? Frauenkreise, Choriner Str. 10, 10119 Berlin
How much? Free entry! Come by...

Click here for the link to the Facebook event

Wednesday, 12 February 2014

Film Clip: Daima Exhibition and Book Launch. November 2013, Berlin


(In German).

With (in order of appearance) Sharon Dodua Otoo (Editor), Nzitu Mawakha (Photographer & Author), Pasquale Virginie Rotter (Protagonist), Nouria Asfaha (Protagonist) and Maisha Eggers (Protagonist).

Thank you for your support!