Showing posts with label Sharon Dodua Otoo. Show all posts
Showing posts with label Sharon Dodua Otoo. Show all posts

Sunday, 10 July 2016

Series Editor Sharon Dodua Otoo has won the prestigious Ingeborg-Bachmann-Preis 2016!

The announcement was made on Sunday, July 3rd in Klagenfurt (Austria): Sharon Dodua Otoo is the winner of this year's Ingeborg-Bachmann-Preis, an annual competition which took place for the 40th time this year and is televised live. The competition, which is officially known as Tage der deutschsprachigen Literatur (Festival of German-Language Literature) is one of the most prestigious German language literature competitions in existence. She won it for her unpublished text: "Herr Gröttrup setzt sich hin" (Mr Gröttrup sits down).



It is a great honour.
Thank you to everyone who has supported the work of Sharon both as an author and as an editor of the Witnessed Series.

Wednesday, 23 March 2016

Heidelberg | Presentation of Witnessed and reading from Winter Shorts - today!

This evening at 6pm begins a wonderful celebration of Black in Germany literature, poetry and music as part of the programme of events to support the ISD exhibition Homestory Deutschland.


Sharon Dodua Otoo will open with a presentation of the Witnessed Series - an English language publication series written by Black authors who have lived in Germany.

This is followed by a reading of a short story "Waste of Mist" by WoMANtís RANDom. This was published last year in the fifth book of the Witnessed Series, "Winter Shorts", edited by Clementine Burnley and Sharon Dodua Otoo.



And to round it all off, a brilliant Spoken Word Performance will be provided by SchwarzRund.

See you there!


Wednesday, 23. March 2016 from 18:00
Café Leitstelle
in DEZERNAT 16
Emil-Maier-Str. 16, 69115 Heidelberg




Monday, 30 November 2015

Witnessed - An Interview with Editor Sharon Dodua Otoo


In an interview with Nicolette Stewart of Young Germany, Series Editor Sharon Dodua Otoo spoke about Witnessed:
I chose the name Witnessed because I want the series to really be an account of life in Germany from Black perspectives. The aim is to reverse the gaze: Black people are used to being looked at in public spaces. These looks are not always friendly by the way! With Witnessed I would like to provide a platform for Black people who write in English to record what they see when they look back.
I deliberately chose the past tense of the verb (witnessed) rather than present tense or a noun (witness). This is to show that the accounts are about a very specific point of time. Life in Germany for Black people will not remain static (I am also a hopeless optimist!) so, the series should perhaps be considered to be something like diary entries which we can all go back to at some point in the future and say: “Ahh, so that's what it was like back then. Wow, how weird?!”

To read more click here.

Wednesday, 18 November 2015

"I am - ich bin - me ne" & "Winter Shorts"

Illustrator Sita Ngoumou will be presenting her exhibition "I am - ich bin - me ne" this Friday (20th November) in SUSI Interkulturelles Frauenzentrum.



As part of the programme to mark the opening of the exhibition, WoMANtìs RANDom and Sharon Dodua Otoo will present the book "Winter Shorts" the latest edition of the Witnessed Series edited by Clementine Burnley and Sharon Dodua Otoo. Sita Ngoumou also designed the beautiful cover for the collection of short stories.

Come and join us!


"I am - ich bin - me ne" & "Winter Shorts"
Friday, 20th November from 19:00
SUSI Interkulturelles Frauenzentrum
Innsbrucker Str. 58 (= Bayerischer Platz 9), Berlin-Schöneberg
U4 & U7 Bayerischer Platz

Friday, 6 November 2015

Opening of the "Daima" Exhibition in Wiesbaden - Thursday, November 12th, 7pm.

The exhibition "Daima. Images of Women of Colour in Germany" by the late Nzitu Mawakha (1973-2014) will finally be showing again, this time in Wiesbaden from Thursday, November 12th until Sunday, December 13th 2015.



"Daima" is a collection of black and white images of Black women from or living in Germany. The exhibition was produced in November 2013, at the same time as the book publication of the same name. The photo-book "Daima" is the third publication of the Witnessed Series.

This exhibition showing in Wiesbaden is part of a programme of events taking place to celebrate 30 years of the Initiative Black People in Germany (Initiative Schwarze Menschen in Deutschland), a non-profit organisation which was founded in Wiesbaden in 1985.

On Thursday, November 12th the exhibition will be opened by Sharon Dodua Otoo, Editor of the Witnessed Series, and Christelle Nkwendja-Ngnoubamdjum, one of the protagonists in Daima.


 Click here to buy "Daima"



Exhibition opening times: Wednesday from 3pm, Thursdays and Friday from 5pm, Saturdays from 3pm and Sundays from 1pm.

Venue: Deutsches Filmhaus, Wiesbaden, Murnaustr. 6, 65189 Wiesbaden

Organisers: „WIR in Wiesbaden“, Hessische Landeszentrale für Politische Bildung, Initiative Schwarze Menschen in Deutschland (ISD Bund), Friedrich-Wilhelm-Murnau-Stiftung



Saturday, 26 September 2015

Out Now! "Winter Shorts" edited by Clementine Burnley and Sharon Dodua Otoo


The Witnessed Series continues to go from strength to strength!

The fifth edition is a collection of short stories edited by Clementine Burnley and Sharon Otoo and features original work by the authors Noah Hofmann, Njideka Stephanie Iroh, Elsa M’bala, Muriel Mben, WoMANtís RANDom, Tigist H. Schmidt and Monique Simpson. The cover artwork is from the paintbrush of Sita Ngoumou.



Order online!

Praise for Winter Shorts...

“The stories in Winter Shorts depict characters who are displaced in many senses: geographically, socially, culturally, linguistically – and, most importantly of all, they are black people in a white world. The winter of the title clearly stands as a metaphor for the cold, alien environment of Germany and Austria in which the characters, and perhaps the authors themselves, are outsiders. The majority of contributors to this volume are appearing in print for the first time. Witnessed is to be congratulated on having supported this project and for having provided this platform for black voices to tell their own stories in their own words.”  
Máire Davies, Honorary Fellow, Royal Holloway, University of London, United Kingdom

Winter Shorts is a very important collection of writings by African Diasporic/Black writers that turn global white supremacy on its head in both subtle and profound ways. Each contribution reminds this African-American cultural worker that the struggle to define and redefine oneself in countries that consistently marginalize and demonize Blackness is international. Co-Editors Clementine Burnley and Sharon Dodua Otoo did a masterful job with compiling a diverse group of extraordinary authors whose writings defy the myth of the monolithic African/Black experience.”  
Aishah Shahidah Simmons, Producer/Director, NO! The Rape Documentary and Sterling Brown, Visiting Professor of Africana Studies, Williams College, United States and an Associate Editor for The Feminist Wire

Winter Shorts gave me feelings similar to those I had when I was a little girl devouring my late paternal grandmother’s bookshelf, a space that introduced me to Toni Morrison, Ralph Ellison, Ann Petry, James Baldwin, Gloria Naylor, and other legendary Black writers. It gave me feelings similar to those that I have when I’m with family eating BBQ, drinking cocktails, and playing cards. It gave me feelings similar to those I have when I’m at an academic conference full of Black folk. It gave me feelings similar to those I have when I visit my friends and comrades in Berlin. The feeling is this: I am honored and blessed to be part of such a rich, complex, and electric community full of joy, pain, laughter, sadness, fear, excitement. The misery Burnley caresses in “Boom” is there. The embarrassment that turns into pain that turns into anger is there, as Iroh embraces in “Support a Black-Owned Business Especially at Christmas.” The oblivion that Simpson massages in “Raw” is there, too. It’s all there, because, as Burnley points out, “The characters in our stories are hurting but they are finding ways to make it on their own terms, without giving up their identities.” Although she has transcended this life, Toni Cade Bambara always reminds us that the writer’s job is to “make the revolution irresistible.” The many brilliant writers who share their voices with us in Winter Shorts take up this tremendous task by reminding us that the revolution happens in our hearts, minds, and spirits during moments when we might least expect it.”  
Dr. Heidi R. Lewis, Assistant Professor of Feminist & Gender Studies, Colorado College, United States and an Associate Editor for The Feminist Wire


"Winter Shorts" edited by Clementine Burnley and Sharon Dodua Otoo
Series: Witnessed, Edition 5
Publisher: Edition Assemblage

Paperback, 142×205 mm
112 pages, 9.80 € [DE]
ISBN 978-3-942885-94-2 | WG 110
Publication date: October 2015
Buy now!

Wednesday, 12 February 2014

Film Clip: Daima Exhibition and Book Launch. November 2013, Berlin


(In German).

With (in order of appearance) Sharon Dodua Otoo (Editor), Nzitu Mawakha (Photographer & Author), Pasquale Virginie Rotter (Protagonist), Nouria Asfaha (Protagonist) and Maisha Eggers (Protagonist).

Thank you for your support!

Monday, 10 February 2014

Daima: On Wit­nes­ses, Ima­ges and Vi­si­ons. A Book Pre­sen­ta­ti­on in Dresden

“wi­thout a vi­si­on, every so­ci­al chan­ge feels like death.”
Audre Lorde
In glo­bal con­texts, Black women have his­to­ri­cal­ly been ren­de­red in­vi­si­ble both wi­t­hin (white do­mi­na­ted) fe­mi­nist mo­ve­ments and wi­t­hin (male do­mi­na­ted) Black power mo­ve­ments. In Ger­ma­ny, this si­tua­ti­on has been no dif­fe­rent and cul­tu­ral re­pre­sen­ta­ti­ons in this coun­try con­ti­nue to be do­mi­na­ted by the ide­als of „white“ and „male.“ Just the same, Black women in Ger­ma­ny have con­ti­n­uous­ly or­ga­nis­ed and re­pre­sen­ted them­sel­ves – the pho­to­book „Daima“ is sim­ply one fur­ther cont­ri­bu­ti­on to a long tra­di­ti­on of cul­tu­ral pro­duc­tions and crea­ti­ve work by Black women in Ger­ma­ny.
In this in­ter­ac­tive event, mo­ther, aut­hor, edi­tor and ac­tivist Sharon Dodua Otoo will talk about her mo­ti­va­ti­on for crea­ting the English lan­gua­ge book se­ries „Wit­nes­sed“ with a spe­cial focus on the la­test pu­bli­ca­ti­on „Daima. Ima­ges of Women of Co­lour in Ger­ma­ny“ by Nzitu Ma­wak­ha.
Pre­sen­ta­ti­on in English & Ger­man. All wel­co­me.

Cafém - getting to know feminism part 6
Date: Sunday, Fe­bru­ary 16th 2014
Where: kos­mo­tique, Martin-Luther-Str. 13, 01099 Dresden
When: 2 – 8pm (talk begins 4pm)

Sunday, 5 January 2014

Call for Submissions! "Winter Shorts"

We are looking for original, unpublished short fiction for a new anthology: "Winter Shorts" edited by Mirjam Nuenning and Sharon Dodua Otoo. The date of publication will be Winter 2015.

You are welcome to send submissions for consideration if you are:
- a Black author (of African Diasporan descent)
- have lived in Germany
- have lived in an English-speaking country or write in English

Criteria for short stories:
- written in English, from a Black perspective 
- takes place in a German-speaking country / reflects on life in a German-speaking country
- between 1,000 and 15,000 words
- Theme: Winter / Winter celebrations (e.g. Kwanzaa, Hanukkah, Christmas, Diwali)


What we are especially looking for:
- Stories that move: to laugh, to cry, to reflect, to inspire to greater things
- Beautiful language, realistic characterisation, vivid images and strong plots
- If referred to at all, thoughtful, sensitive incorporation of religion 

Please submit only one short story at a time by email to: 
witnessed-submissions@limitedtoyou.com

by Monday, June 16th 2014

Your covering letter should be in the body of the email and be as short as possible. It should include a little about the story and a little about yourself. Please make the subject heading of your email your title and your name.

The attachment should be one Word document which includes a title page (name of author, title of publication), and the complete story (double line spaced, numbered pages). Please make sure that the work you submit is edited, proofread and at a mature stage of development. We do not accept re-submissions, edited or otherwise.

Any questions? Please contact us on: witnessed@limitedtoyou.com





Saturday, 11 May 2013

Ally Work

Image: Wolfgang Borrs, April 2013

On Saturday, 20th April I took part in a panel discussion on language, satire and antidiscrimination.* In preparation for the panel, and in the conversations I have had about it since, I began to develop some thoughts about political identity, positioning and the nature of ally work.
These thoughts are relevant to Witnessed project and my role as Series Editor, therefore I would like to share them here.

I believe I was originally invited to participate on the panel because I am a Black woman writer and activist. The debate about the use of the German N-word is still causing emotions to run high in the white mainstream media. My role on the panel should have been to attempt to explain why exactly so many thousands of Black people who live in Germany welcome the decision by Otfried Preussler and Thienemann Verlag to remove the word from the next edition of the much loved children's classic "Die Kleine Hexe" (The Little Witch). Although I had originally turned down the offer, after sleeping on it and talking it over with a close friend, I decided participating on the panel was something I simply had to do.

Despite the fact that a fundamental part of my experience in Germany is tempered by racism and sexism, I of course do also enjoy certain privileges. First and foremost: I am an adult. My voice carries infinitely more weight, than those of my children. And yet it is my children who are repeatedly confronted with the N-word in their educational materials, on the playground and in classroom discourse. Unfortunately in Germany 2013 there are still teaching staff at schools who believe the N-word is a neutral word and that Black children are simply sensitive and immature if they object to it being used in a context which does not clearly problematise it. My decision to participate in the public event and discuss the removal of racist vocabulary from children's literature was at least in part to use my privilege to support the many children in Germany who, like my children, suffer in silence or suffer for speaking out.

The subject of the panel was not only to focus on racist vocabularly however, but also on gender-appropriate language. I am also a cis-gendered, straight woman. In a society which constantly affirms - at least in this aspect of my identity - that I am a "normal" person, those who - in this way - are not like me objectively have a harder time. It was therefore in the end not difficult for me to decide that I needed to sit on the panel: I do have privilege, and I want to learn to be a good ally.

I am pleased I participated in the panel. In the limited time I had, I was able to express my views clearly at the event and later I wrote an article for the taz (in German). I have received many positive comments, messages and emails from people who have a new understanding of the issues.

Activism - I have learnt - is a combination of fighting against, fighting for, but also fighting alongside. I cannot speak for all Black people - I will not even try. Instead I want to make explicit one of my wishes for the Witnessed Series: I want to continue to use those resources which I do have - my networks, my skills, my projects and my activism -  to speak and enable others to do so too, for...


“...when we speak we are afraid
our words will not be heard
nor welcomed
but when we are silent
we are still afraid
So it is better to speak
remembering
we were never meant to survive” 
― Audre Lorde, The Black Unicorn: Poems









*Unfortunately, I left the stage before the official end of the discussion, as did some 30 members of the audience. The circumstances are discussed in detail elsewhere (in German).

Wednesday, 3 April 2013

"The Little Book of Big Visions" at Homestory Deutschland

The editors of "The Little Book of Big Visions" will participate in the panel discussion "Black Perspectives - Kultur und Widerstand" as part of the Homestory Deutschland programme of events this Friday, April 5th starting at 8pm.


Black cultural producers will make keynote statements pertinent to the current debates in Germany about the use of racist imagery and language in art. Sandrine Micossé-Aikins and Sharon Dodua Otoo will participate in the panel discussion alongside Mekonnen Mesghena, Head of Migration and Diversity at the Heinrich Böll Foundation, Nadine Golly of Leuphania University and Lara-Sophie Milagro, Artist Director of Label Noir.

For more information about this event visit the website: http://www.homestory-deutschland.de/ausstellungsorte-programm/hamburg/diskussionsrunden.html

Friday, April 5th 2013
20:00
Westwerk, Admiralitätstr. 74, 20459 Hamburg
Entrance: Free

Signed copies of the book will be on sale!

Friday, 25 January 2013

"The Little Book of Big Visions" at the BGHRA Annual Convention 2013

The third annual convention of the Black German Heritage and Research Association (formerly the Black German Cultural Society NJ) will be held on August 8-11, 2013, at Amherst College in Amherst, Massachusetts. This year’s convention will focus on Black Germans in Diaspora. The conference will feature a keynote address by Maisha Eggers, Professor of Childhood and Diversity Studies at the University of Magdeburg, a screening of the 1952 film “Toxi” at the Amherst Cinema, with an introduction and Q & A by Professor Angelica Fenner of the University of Toronto, author of “Race Under Reconstruction in German Cinema” (2011), and presentations by guest artists Sharon Dodua Otoo and Sandrine Micossé-Aikins, editors of “The Little Book of Big Visions: How To Be an Artist and Revolutionize the World,” published by Edition Assemblage in October 2012.

Monday, 17 December 2012

AG Queer Studies Podcast of the presentation of "The Little Book of Big Visions" in Hamburg

On November 1st 2012, Misa Dayson, Philipp Khabo Koepsell and Sharon Dodua Otoo presented "The Little Book of Big Visions" at the University of Hamburg. This event was organised and recorded by AG Queer Studies. Please listen to the podcast here.

Monday, 8 October 2012

Blackface, Whiteness and the Power of Definition in German Contemporary Theatre / Conference 16.10/ Berlin


Blackface, Whiteness and the Power of Definition
in German Contemporary Theatre


The International Research Center “Interweaving Performance Cultures” invites Bühnenwatch


...featuring Sandrine Micossé-Aikins and Sharon Dodua Otoo, editors of "The Little Book of Big Visions. How to be an Artist and Revolutionize the World"


Tuesday, 16 October 2012
Studio 1 Kunstquartier Bethanien
Mariannenplatz 2 / 10 997 Berlin

With presentations by Sharon Dodua Otoo, Sandrine Micossé-Aikins, Dr. Daniele Daude,
Dr. Azadeh Sharifi and Julia Lemmle

Moderated by Oliver Kontny

Programme

11.00   Introduction by Oliver Kontny
11.30   Sharon Dodua Otoo
12.00   Sandrine Micossé-Aikins
12.30   Dr. Daniele Daude

13.00-13.30 Discussion

Lunch

15.00   Dr. Azadeh Sharifi
15.30   Julia Lemmle

16.00-16.30 Discussion

Thursday, 4 October 2012

See us at the Frankfurter Buchmesse...



The launch in Berlin was a big success.

"The Little Book of Big Visions. How to be an Artist and Revolutionize the World" edited by Sandrine Micossé-Aikins and Sharon Dodua Otoo (edition assemblage) is now available and will be presented in Frankfurt during the Frankfurt Book Fair (Frankfurter Buchmesse)

With authors Yvette Mutumba, Philipp Khabo Koepsell, Sandrine Micossé-Aikins and Sharon Otoo

Signed copies of the book will be on sale.
5 € for each book sold will be donated to the Initiative of Black People in Germany (ISD Bund e.V.)

Here are the details:

Saturday, 13th October, from 6pm
at Roots Deepartment, Friedberger Landstr. 86, 60316 Frankfurt am Main

Hope to see you there!

Sunday, 30 September 2012

Out Now! The Little Book of Big Visions




The Little Book of Big Visions:
How to be an Artist and Revolutionize the World

Sandrine Micossé-Aikins and Sharon Dodua Otoo (eds.) (edition assemblage, 2012)


Black artists in Germany find themselves – necessarily – in a position in which subversiveness and resistance – implicit and explicit – become essential strategies to be used in their work if they wish to survive in this predominantly white context. However, after resistance is no longer necessary, what could be the vision then? And what is the central role of the artist in shaping or creating these visions?

This book contributes to the discourse firstly by providing a contextual discussion of the current situation of Black artists in Germany, and secondly, by reflecting on the question of how contemporary Black artists in Germany create and convey visions of equality.  The methods used to engage with these ideas, concepts and questions are partly in written form (fiction and non-fiction), and partly in visual form. This results in an innovative work focusing on the visions of Black artists in Germany.

“The Little Book of Big Visions: How to be an Artist and Revolutionize the World” is aimed primarily at Black cultural producers living and working in Germany as well as those who reside in English-speaking contexts throughout Europe, UK, US and beyond. However, this book is also aimed at everyone who has an interest in ensuring that the contemporary art scene in Germany finally begins to be truly reflective of its actual and future population.

Available now!

Friday, 21 September 2012

Launch of Witnessed! Sunday, September 30th at 3pm

Tayo  ©  www.tayo-online.de

"The Little Book of Big Visions. How to be an Artist and Revolutionize the World" edited by Sandrine Micossé-Aikins and Sharon Dodua Otoo (edition assemblage) will be presented at the launch event of the Witnessed Series.

With...
readings by authors Asoka Esuruoso, Bibiana Arena and Philipp Khabo Köpsell
and music by Tayo and Fourth Man's Friend, and Gonza, Jeanny & Bona

Signed copies of the book will be on sale.

Here are the details:
Sunday, 30th September, from 3pm
"T. Berlin", Fidicinstr. 38, 10965 Berlin-Kreuzberg

RSVP by emailing at: justtryandkeepmeaway@limitedtoyou.com :-)

Thursday, 9 August 2012

Coming soon! Witnessed Edition 1: The Little Book of Big Visions

Witnessed will launch, as planned, in October 2012. The title and cover of the book however have changed.

Sandrine Micossé-Aikins and I are proud to present:



The Little Book of Big Visions. How to be an Artist and Revolutionize the World
by Sandrine Micossé-Aikins and Sharon Dodua Otoo (eds.)
Witnessed Edition 1
(edition assemblage, forthcoming)

...with contributions from Jamika Ajalon, Bibiana Arena, Mo Asumang, Sonia E. Barrett, Misa Dayson, Asoka Esuruoso, Philipp Khabo Koepsell, Gyavira Lasana, Stephen Lawson, Caille Millner, Yvette Mutumba and Alex Weheliye.





Thursday, 3 May 2012

Witnessed Edition 1: Imagine if Black Artists Actually Mattered?

Forthcoming publication (October 2012):


Imagine if Black Artists Actually Mattered? Visions of Equality in Germany
Sandrine Micossé-Aikins and Sharon Dodua Otoo (Editors)




Black artists in Germany find themselves – necessarily – in a position in which double-consciousness; subversiveness and resistance – implicit and explicit – become essential strategies to be used in their work if they wish to survive in this predominantly white context. "Imagine if Black Artists Actually Mattered?", the first edition of the Witnessed series, answers the questions of how a society which has achieved true equality could look and what the central role of the artist is in shaping or creating these visions? What would Black artistic practices in the context of such a visionary society look like? What actions are possible beyond reaction and resistance?

This book attempts to contribute to a discourse that is underrepresented in Germany by providing a contextual discussion of the current situation of Black artists in Germany and also focuses on examining how contemporary Black artists in Germany create and convey visions of equality.  

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Further Information: http://www.edition-assemblage.de/imagine/
Support this project through Crowdfunding: http://www.startnext.de/witnessed